Music by Shankar Ehassan Loy have tracks "Lip To Lip De Kissiyan", Sau Aansu Roye Do Ankhiyan" and " Ishaq Da Rutba", which are good. #MithilaParkar as Komal, younger sister is very good. She is very average with a peculiar hair style. He is as unbalanced as much he could have been. Performance wise, one can dare to cast Imran Khan if film has any emotional angle. Pre climax sequence of boat chasing in pond is most irritating. Tortoise emotional angle is just flat, somehow you feel sympathy for tortoise but not for couple. I didn't get what intelligence was behind it! Boy running behind car of girl, this shot is obsolete in today's cinema. They show taxi's both window half open and then male lead closing it. Farz 2000 Fiza 2000 Hrithik Roshan, Karishma Kapoor. How they break characters, in a scene they show a businessman is of tainted character but what was the need of showing him! Yes, he was the father of opponent but then why! Just because you felt the way of showing it very smart. Yuva 2004 DVD Ajay Devgan, Abhishek Bachchan, Vivek Oberoi, Esha Deol, Rani Mukherjee, Kareena Kapoor. What is the irony of script!! Film starts with some amateur shooting video but it is most amateurish and long that you get the first bitter taste of remaining dish in few minutes only. Script tries hard to give you the feeling that lead couple should be together but after few minutes you pray that they shouldn't. Screenplay succeeds completely to create confusing characters, irritating comedy and non relating emotional scenes.
Yes, if they have come up with good scenes then this climax could have been worked a bit but alias what could they have done with black comedy expert main male lead, which can evoke laughter in any emotional scene as it is cake walk for him. There is nothing in name of story except pushed emotional climax, which makes you laugh instead of cry. Surprisingly first creative film making team must have thought about climax then, hurriedly and illogically started journey to find it's beginning but fails badly in it.
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